American novelist & short story writer (1876-1941)
There is a note that comes into the human voice by which you may know real weariness. It comes when one has been trying with all his heart and soul to think his way along some difficult road of thought. Of a sudden he finds himself unable to go on. Something within him stops. A tiny explosion takes place. He bursts into words and talks, perhaps foolishly. Little side currents of his nature he didn't know were there run out and get themselves expressed. It is at such times that a man boasts, uses big words, makes a fool of himself in general.
SHERWOOD ANDERSON
"Seeds", The Triumph of the Egg
People who have few possessions cling tightly to those they have. That is one of the facts that make life so discouraging.
SHERWOOD ANDERSON
"The Egg", The Triumph of the Egg
Everyone knows of the talking artists. Throughout all of the known history of the world they have gathered in rooms and talked. They talk of art and are passionately, almost feverishly, in earnest about it. They think it matters much more than it does.
SHERWOOD ANDERSON
"Loneliness", Winesburg, Ohio
I am a lover and have not found my thing to love. That is a big point if you know enough to realize what I mean. It makes my destruction inevitable, you see. There are few who understand that.
SHERWOOD ANDERSON
"Tandy", Winesburg, Ohio
The lives of people are like young trees in a forest. They are being choked by climbing vines. The vines are old thoughts and beliefs planted by dead men.
SHERWOOD ANDERSON
"Seeds", The Triumph of the Egg
Everyone in the world is Christ and they are all crucified.
SHERWOOD ANDERSON
"The Philosopher", Winesburg, Ohio
I wanted to run away from everything but I wanted to run towards something too.
SHERWOOD ANDERSON
Winesburg, Ohio
Father was made for romance. For him there was no such thing as a fact.
SHERWOOD ANDERSON
A Story Teller's Story
There is a time in the life of every boy when he for the first time takes the backward view of life. Perhaps that is the moment when he crosses the line into manhood. The boy is walking through the street of his town. He is thinking of the future and of the figure he will cut in the world. Ambitions and regrets awake within him. Suddenly something happens; he stops under a tree and waits as for a voice calling his name. Ghosts of old things creep into his consciousness; the voices outside of himself whisper a message concerning the limitations of life. From being quite sure of himself and his future he becomes not at all sure. If he be an imaginative boy a door is torn open and for the first time he looks out upon the world, seeing, as though they marched in procession before him, the countless figures of men who before his time have come out of nothingness into the world, lived their lives and again disappeared into nothingness. The sadness of sophistication has come to the boy. With a little gasp he sees himself as merely a leaf blown by the wind through the streets of his village. He knows that in spite of all the stout talk of his fellows he must live and die in uncertainty, a thing blown by the winds, a thing destined like corn to wilt in the sun.
SHERWOOD ANDERSON
"Sophistication", Winesburg, Ohio
I am pregnant with song. My body aches but do not betray me. I will sing songs and hide them away. I will tear them into bits and throw them in the street. The streets of my city are full of dark holes. I will hide my songs in the holes of the streets.
SHERWOOD ANDERSON
"The Cornfields", Mid-American Chants
If people did not want their stories told, it would be better for them to keep away from me.
SHERWOOD ANDERSON
A Story Teller's Story
As time passed and he grew to know people better, he began to think of himself as an extraordinary man, one set apart from his fellows. He wanted terribly to make his life a thing of great importance, and as he looked about at his fellow men and saw how like clods they lived it seemed to him that he could not bear to become also such a clod.
SHERWOOD ANDERSON
"Godliness", Winesburg, Ohio
Sometimes I think we Americans are the loneliest people in the world. To be sure, we hunger for the power of affection, the self-acceptance that gives life. It is the oldest and strongest hunger in the world. But hungering is not enough.
SHERWOOD ANDERSON
Memoirs
It's a woman you see, that's what it is! It's a woman and, oh, she is lovely! She is hurt and is suffering but she makes no sound. Don't you see how it is? She lies quite still, white and still, and the beauty comes out from her and spreads over everything.
SHERWOOD ANDERSON
"Loneliness", Winesburg, Ohio
The object of art is not to make salable pictures. It is to save yourself.
SHERWOOD ANDERSON
letter to his son John, 1927
My father, a ruined dandy from the South, had been reduced to keeping a small harness-repair shop and, when that failed, he became ostensibly a house-and-barn painter. However, he did not call himself a house-painter. The idea was not flashy enough for him. He called himself a "sign-writer."
SHERWOOD ANDERSON
A Story Teller's Story
Their bodies were different as were the color of their eyes, the length of their noses and the circumstances of their existence, but something inside them meant the same thing, wanted the same release, would have left the same impression on the memory of an onlooker.
SHERWOOD ANDERSON
Winesburg, Ohio
In youth there are always two forces fighting in people. The warm unthinking little animal struggles against the thing that reflects and remembers.
SHERWOOD ANDERSON
"Sophistication", Winesburg, Ohio
All good New Orleanians go to look at the Mississippi at least once a day. At night it is like creeping into a dark bedroom to look at a sleeping child--something of that sort--gives you the same warm nice feeling.
SHERWOOD ANDERSON
Southern Odyssey: Selected Writings of Sherwood Anderson
The life of reality is confused, disorderly, almost always without apparent purpose, whereas in the artist's imaginative life there is purpose. There is determination to give the tale, the song, the painting, form -- to make it true and real to the theme, not to life.
SHERWOOD ANDERSON
"A Note on Realism", The Literary Review, Oct. 25, 1924