American author (1931-1989)
Getting old.... Not so limber, dear friend, time for the bone factory? The little blue van. Your hands are covered with tiny pepperoni. Your knees predict your face. Your back stabs you, on the left side, twice a day. The belly’s been discussed. The soul’s shrinking to a microdot. We’re ordering your rocking chair, size 42. Would you like something in Southern pine?
DONALD BARTHELME
Paradise
It is difficult to keep the public interested.
The public demands new wonders piled on new wonders.
Often we don’t know where our next marvel is coming from.
The supply of strange ideas is not endless.
DONALD BARTHELME
"The Flight of the Pigeons from the Palace"
To say that the publishing world is not interested in literature is to overstate it. They are extremely interested in it, they just don’t want to publish it, you see. Publishers are brave, as brave as the famous diving horses of Atlantic City, but they’re increasingly owned by conglomerates, businesses which have nothing to do with publishing, and these companies demand a certain profit out of their publishing divisions. They take very few risks and they publish an enormous number of things which look like books, sort of feel like books, but in reality are buckets of peanut butter with a layer of whipped cream on top.
DONALD BARTHELME
"A Symposium on Fiction"
Well chaps first I'd like to say a few vile things more or less at random, not only because it is expected of me but also because I enjoy it.
DONALD BARTHELME
Snow White
The death of God left the angels in a strange position. They were overtaken suddenly by a fundamental question. One can attempt to imagine the moment. How did they look at the instant the question invaded them, flooding the angelic consciousness, taking hold with terrifying force? The question was, "What are angels?" New to questioning, unaccustomed to terror, unskilled in aloneness, the angels (we assume) fell into despair.
DONALD BARTHELME
"On Angels"
In the contemplation of nudes, we congratulate ourselves upon the beauty of which human beings are capable. They reassure us about ourselves, about Being. We are a little lower than the angels, true, but notice that we can get along without that suspect radiance, equal parts paint and literature, on which the angels lean so heavily. The human body is, or can be, a sufficiency.
DONALD BARTHELME
"Nudes: An Introduction to Exquisite Creatures"
We are all engaged in looting the past. (Only the greatest geniuses manage to steal from the future.)
DONALD BARTHELME
"The Emerging Figure"
Goals incapable of attainment have driven many a man to despair, but despair is easier to get to than that -- one need merely look out of the window, for example.
DONALD BARTHELME
"And Then"
Oh, there is nothing better than intelligent conversation except thrashing about in bed with a naked girl and Egmont Light Italic.
DONALD BARTHELME
"Florence Green is 81"
I don't believe that we are what we do although many thinkers argue otherwise. I believe that what we do is, very often, a poor approximation of what we are -- an imperfect manifestation of a much better totality. Even the best of us sometimes bite off, as it were, less than we can chew.
DONALD BARTHELME
"Jaws"
Who among us is not thinking about divorce, except for a few tiny-minded stick-in-the-muds who don’t count?
DONALD BARTHELME
"Heliotrope"
The question so often asked of modern painting, “What is it?”, contains more than the dull skepticism of the man who is not going to have the wool pulled over his eyes. It speaks of a fundamental placement in relation to the work, that of a voyager in the world coming upon a strange object. The reader reconstitutes the work by his active participation, by approaching the object, tapping it, shaking it, holding it to his ear to hear the roaring within. It is characteristic of the object that it does not declare itself all at once, in a rush of pleasant naïveté.
DONALD BARTHELME
"After Joyce"
Food ... is the topmost taper on the golden candelabrum of existence.
DONALD BARTHELME
"Conversations with Goethe"
Art is always aimed (like a rifle, if you wish) at the middle class. The working class has its own culture and will have no truck with fanciness of any kind. The upper class owns the world and thus needs know no more about the world than is necessary for its orderly exploitation. The notion that art cuts across class boundaries to stir the hearts of hoe hand and Morgan alike is, at best, a fiction useful to the artist, his Hail Mary. It is the poor puzzled bourgeoisie that is sufficiently uncertain, sufficiently hopeful, to pay attention to art. It follows (as the night the day) that the bourgeoisie should get it in the neck.
DONALD BARTHELME
"On the Level of Desire"
Very often one “pushes away” the very thing that one most wants to grab, like a lover. This is a common, although distressing, psychological mechanism, having to do (in my opinion) with the fact that what is presented is not presented “purely”, that there is a little canker or grim place in it somewhere.
DONALD BARTHELME
"Rebecca"
The affair ran the usual course. Fever, boredom, trapped.
DONALD BARTHELME
"The Conservatory"
The world in the evening seems fraught with the absence of promise, if you are a married man. There is nothing to do but go home and drink your nine drinks and forget about it.
DONALD BARTHELME
"Critique de la Vie Quotidienne"
MTV has severely compromised surrealism, perhaps ruined it forever.
DONALD BARTHELME
"Being Bad"
At night I drank and my hostility came roaring out if its cave like a jet-assisted banshee.
DONALD BARTHELME
"Critique de la Vie Quotidienne"
There is no moment that exceeds in beauty that moment when one looks at a woman and finds that she is looking at you in the same way that you are looking at her. The moment in which she bestows that look that says, "Proceed with your evil plan, sumbitch."
DONALD BARTHELME
"The Sea of Hesitation"