WRITING QUOTES X

quotations about writing

Almost every author I have met who has started a novel that is not yet finished is making the same mistake: They are all bogged down at around chapter 4 or 5. Why? Because they are editing everything as they go. Dotting every T, crossing every 'i' and writing and re-writing every sentence until it is perfect. There are a few theories as to why you just can't do this but let me just be clear up front: YOU CAN'T DO THIS!

DAVID CHISLETT

"Editing Is Not Writing", Books LIVE, February 12, 2016


Writing in English is the most ingenious torture ever devised for sins committed in previous lives. The English reading public explains the reason why.

JAMES JOYCE

letter to Fanny Guillermet, September 5, 1918

Tags: James Joyce


To turn experience into speech -- that is, to classify, to categorize, to conceptualize, to grammarize, to syntactify it -- is always a betrayal of experience, a falsification of it; but only so betrayed can it be dealt with at all, and only in so dealing with it did I ever feel a man, alive and kicking.

JOHN BARTH

The End of the Road

Tags: John Barth


Writers in this country, particularly novelists, are likely to come to the medium through some back door. Nearly every writer I know was going to be something else, and then found himself writing by a kind of passionate default.

JOHN BARTH

The Paris Review, spring 1985

Tags: John Barth


The business of a novelist is, in my opinion, to create characters first and foremost, and then to set them in the snarl of the human currents of his time, so that there results an accurate permanent record of a phase of history.

JOHN DOS PASSOS

"The Business of a Novelist"


You might get the impression that I have a mild contempt for storytelling, which is only somewhat true. For example, I really like Agatha Christie. She obeys the rules of the genre at first, but then occasionally she manages to do very personal things. In my case, I think I start from the opposite point. At first, I don't obey, I don't plot, but then from time to time, I say to myself, Come on, there's got to be a story. I control myself. But I will never give up a beautiful fragment merely because it doesn't fit in the story.

MICHEL HOUELLEBECQ

The Paris Review, fall 2010

Tags: Michel Houellebecq


Writing books is the closest men ever come to childbearing.

NORMAN MAILER

The New York Times Book Review, September 17, 1965

Tags: Norman Mailer


You don't have to be a good person to be a good writer--history shows it's better if you're not--but you have to understand your badness.

PETER ABRAHAMS

End of Story

Tags: Peter Abrahams


For a fiction writer, a storyteller, the world is full of stories, and when a story is there, it's there, and you just reach up and pick it.

URSULA K. LE GUIN

The Wave in the Mind: Talks and Essays on the Writer, the Reader, and the Imagination

Tags: Ursula K. Le Guin


I wish my prose to be transparent--I don't want the reader to stumble over me; I want him to look through what I'm saying to what I'm describing. I don't want him ever to say, Oh, goodness, how nicely written this is. That would be a failure.

V. S. NAIPAUL

The Paris Review, fall 1998

Tags: V. S. Naipaul


I believe one writes because one has to create a world in which one can live. I could not live in any of the worlds offered to me -- the world of my parents, the world of war, the world of politics. I had to create a world of my own, like a climate, a country, an atmosphere in which I could breathe, reign, and recreate myself when destroyed by living. That, I believe, is the reason for every work of art.

ANAÏS NIN

diary, February 1954

Tags: Anaïs Nin


Writers are made--forged, really, in a kiln of their own madness and insecurities.

CHUCK WENDIG

250 Things You Should Know About Writing

Tags: Chuck Wendig


Oh, I've discarded a great many [poems]. And occasionally I've discarded and then resurrected. I would find a crumpled yellow ball of paper in the wastebasket, in the morning, and open it to see what the hell I'd been up to; and occasionally it was something that needed only a very slight change to be brought off, which I'd missed the day before.

CONRAD AIKEN

interview, The Paris Review, winter-spring 1968

Tags: Conrad Aiken


When the first-rate author wants an exquisite heroine or a lovely morning, he finds that all the superlatives have been worn shoddy by his inferiors. It should be a rule that bad writers must start with plain heroines and ordinary mornings, and, if they are able, work up to something better.

F. SCOTT FITZGERALD

Notebooks


Only the hunger for something beyond the personal will allow a writer to break free of one major obstacle to originality -- the fear of self-revelation.

JANE HIRSHFIELD

Nine Gates: Entering the Mind of Poetry

Tags: Jane Hirshfield


Making a book is a craft, like making a clock; it needs more than native wit to be an author.

JEAN DE LA BRUYÈRE

"Of Works of the Mind", Les Caractères

Tags: Jean de La Bruyère


Writers are a little below clowns and a little above trained seals.

JOHN STEINBECK

Quote Magazine, June 18, 1961

Tags: John Steinbeck


To string incongruities and absurdities together in a wandering and sometimes purposeless way, and seem innocently unaware that they are absurdities, is the basis of the American art, if my position is correct.

MARK TWAIN

"How to Tell a Story"

Tags: Mark Twain


After a while the business end of writing takes too much of the writing time. Better to pay someone ten percent and find that you're still more than ten percent ahead in the end. Which is true. My present agent says that he always feels that a good agent during the course of a year should earn back for his client at least the ten percent he takes by way of commission, so the client's really nothing out. And what he should ideally do is make him more money than the ten percent.

ROGER ZELAZNY

interview, Phlogiston, 1995

Tags: Roger Zelazny


I really believe there are many excellent writers who have never written because they never could begin. This is especially the case of people of great sensitiveness, or of people of advanced education. Professors suffer most of all from this inhibition. Many of them carry their unwritten books to the grave. They overestimate the magnitude of the task, they overestimate the greatness of the final result. A child in a prep school will write the History of Greece and fetch it home finished after school. "He wrote a fine History of Greece the other day," says his fond father. Thirty years later the child, grown to be a professor, dreams of writing the History of Greece -- the whole of it from the first Ionic invasion of the Aegean to the downfall of Alexandria. But he dreams. He never starts. He can't. It's too big. Anybody who has lived around a college knows the pathos of those unwritten books.

STEPHEN LEACOCK

How to Write

Tags: Stephen Leacock