quotations about writing
The first paragraph. The last paragraph. That's where the story is going and how it's going to end. Or else you'll go off in a hundred different directions.
HUNTER S. THOMPSON
The Paris Review, fall 2000
You might get the impression that I have a mild contempt for storytelling, which is only somewhat true. For example, I really like Agatha Christie. She obeys the rules of the genre at first, but then occasionally she manages to do very personal things. In my case, I think I start from the opposite point. At first, I don't obey, I don't plot, but then from time to time, I say to myself, Come on, there's got to be a story. I control myself. But I will never give up a beautiful fragment merely because it doesn't fit in the story.
MICHEL HOUELLEBECQ
The Paris Review, fall 2010
When I write, I feel like an armless, legless man with a crayon in his mouth.
KURT VONNEGUT
attributed, The Biteback Dictionary of Humorous Literary Quotations
It's not a bad thing for a man to have to live his life--and we nearly all manage to dodge it. Our first round with the Sphinx may strike something out of us--a book or a picture or a symphony; and we're amazed at our feat, and go on letting that first work breed others, as some animal forms reproduce each other without renewed fertilization. So there we are, committed to our first guess at the riddle; and our works look as like as successive impressions of the same plate, each with the lines a little fainter; whereas they ought to be--if we touch earth between times--as different from each other as those other creatures--jellyfish, aren't they, of a kind?--where successive generations produce new forms, and it takes a zoologist to see the hidden likeness.
EDITH WHARTON
"The Legend", Tales of Men and Ghosts
I'm grateful when stories come in a rush, although I keep an eye on them afterwards, to see whether they hold together. It's harder to judge the ones that took so long to finish. With those, I've lost perspective. Mostly I'm just glad that I can be done with them.
KELLY LINK
"Words by Flashlight", Sybil's Garage, June 7, 2006
I want to be a writer you can always depend on for a good read during your vacation, during your flight, during a time in your life when you want to forget the world around you. The nicest notes I've received from readers are those that tell me I've gotten them back into reading for entertainment. For me, there is no greater compliment.
JEFF ABBOTT
Publisher's Weekly, May 30, 2011
Fiction shows us the past as well as the present moment in mortal light; it is an art served by the indelibility of our memory, and one empowered by a sharp and prophetic awareness of what is ephemeral. It is by the ephemeral that our feeling is so strongly aroused for what endures, or strives to endure.
EUDORA WELTY
On Writing
I tend to write things seven times before I show them to my editor. I write them seven times, then I take them on tour, read them like a dozen times on tour, then go back to the room and rewrite, read and rewrite, and I try to learn as much as I can on my own before I show it to my editor at The New Yorker. I would never show him a first draft, because then he's really going to be sick of it by the twelfth draft.
DAVID SEDARIS
Oasis Magazine, June 2008
Writing a novel is a terrible experience, during which the hair often falls out and the teeth decay. I'm always irritated by people who imply that writing fiction is an escape from reality. It is a plunge into reality and it's very shocking to the system.
FLANNERY O'CONNOR
Mystery and Manners
Making a book is a craft, like making a clock; it needs more than native wit to be an author.
JEAN DE LA BRUYÈRE
"Of Works of the Mind", Les Caractères
He who will not listen to any advice, nor be corrected in his writings, is a rank pedant.
JEAN DE LA BRUYÈRE
"Of Works of the Mind", Les Caractères
What separates the professionally successful ... from all the rest is their ability to stay steady, to have stamina. It is one thing to write a good sentence, another to write a good book.
KATY LEDERER
interview, Identity Theory, February 12, 2005
The demand that I make of my reader is that he should devote his whole life to reading my works.
JAMES JOYCE
interview with Max Eastman, Harper's Magazine, 1929?
When a good writer is having fun, the audience is almost always having fun too.
STEPHEN KING
Entertainment Weekly, August 17, 2007
My father was a writer, so I grew up writing and reading and I was really encouraged by him. I had some sort of gift and when it came time to try to find a publisher I had a little bit of an "in" because I had his agent I could turn to, to at least read my initial offerings when I was about 20. But the only problem was that they were just awful, they were just terrible stories and my agent, who ended up being my agent, was very, very sweet about it, but it took about four years until I actually had something worth trying to sell.
ANNE LAMOTT
interview, Big Think, April 6, 2010
Writing in English is the most ingenious torture ever devised for sins committed in previous lives. The English reading public explains the reason why.
JAMES JOYCE
letter to Fanny Guillermet, September 5, 1918
I think a good writer is a mix of confidence (sure that what they're writing is going to appeal to their readers) and uncertainty (what if all these words are crap?). If you're too confident, you get an attitude that seeps through into your writing, affecting the characters and the story. If you're too uncertain, you'll never finish anything.
CHARLES DE LINT
interview with Kim Antieau, April 28, 2008
To write as if your life depended on it; to write across the chalkboard, putting up there in public the words you have dredged; sieved up in dreams, from behind screen memories, out of silence--words you have dreaded and needed in order to know you exist.
ADRIENNE RICH
What Is Found There: Notebooks on Poetry and Politics
I'm not interested in writing short stories. Anything that doesn't take years of your life and drive you to suicide hardly seems worth doing.
CORMAC MCCARTHY
The Washington Post, November 13, 2009
I wish my prose to be transparent--I don't want the reader to stumble over me; I want him to look through what I'm saying to what I'm describing. I don't want him ever to say, Oh, goodness, how nicely written this is. That would be a failure.
V. S. NAIPAUL
The Paris Review, fall 1998