WRITING QUOTES IV
quotations about writing
A true piece of writing is a dangerous thing. It can change your life.
TOBIAS WOLFF
Old School
It is the specialist's task to talk about means, about centimeters. An artist's task is to talk about the goal, about kilometers, thousands of kilometers. The organizing role of art consists of infecting the reader, of arousing him with pathos or irony -- the cathode and anode in literature. But irony that is measured in centimeters is pathetic, and centimeter-sized pathos is ridiculous. No one can be carried away by it. To stir the reader, the artist must speak not of means but of ends, of the great goal toward which mankind is moving.
YEVGENY ZAMYATIN
The Goal
Rejections are painful, but inevitable. They're every writer's rite of passage.
OCTAVIA E. BUTLER
"Furor Scribendi", Bloodchild and Other Stories
There's no such thing as perfect writing, just like there's no such thing as perfect despair.
HURAKI MURAKAMI
Hear the Wind Sing
Writing keeps me at my desk, constantly trying to write a perfect sentence. It is a great privilege to make one's living from writing sentences. The sentence is the greatest invention of civilization. To sit all day long assembling these extraordinary strings of words is a marvelous thing. I couldn't ask for anything better. It's as near to godliness as I can get.... The great thrill is when a sentence that starts out being completely plain suddenly begins to sing, rising far above itself and above any expectation I might have had for it. That's what keeps me going on those dark December days.
JOHN BANVILLE
The Paris Review, spring 2009
For me, writing is just a thing I need to do everyday, like breathing or eating.
GUY CAPECELATRO III
"Power of music shines in Capecelatro's heartfelt album", Seacoast Online, March 30, 2017
Grammar is a piano I play by ear, since I seem to have been out of school the year the rules were mentioned. All I know about grammar is its power.
JOAN DIDION
Joan Didion: Essays & Conversations
I am not someone who is very good at writing a certain amounts every day. I know that's what one is told one should do, but what I tend to do is kind of sequester myself away while I am in London for a few weeks at a time and become very antisocial and write very, very intensively over a relatively short time. I am much more of a burst writer than a steady-state writer.
CHINA MIÉVILLE
"In a Carapace of Light: A Conversation with China Miéville", Clarkesworld
I believe the first story I ever wrote was about a young girl who was terribly mistreated by her very cruel parents, and one day the girl fled to the woods to live amongst a pack of wolves. Hey, I was eleven, loved wolves, and had been grounded for what I felt was a minor infraction. Can you blame me?
VICTORIA LAURIE
Relate Magazine, April 1, 2011
I try to get a feeling of what's going on in the story before I put it down on paper, but actually most of this breaking-in period is one long, fantastic daydream, in which I think about anything but the work at hand. I can't turn out slews of stuff each day. I wish I could. I seem to have some neurotic need to perfect each paragraph--each sentence, even--as I go along.
WILLIAM STYRON
The Paris Review, spring 1954
It is the glory and the merit of some men to write well, and of others not to write at all.
JEAN DE LA BRUYÈRE
"Of Works of the Mind", Les Caractères
The interesting thing is that I rarely look at the outline once I've done it. And when I read the outline once I've written the novel, I realize I've written a totally different book.
JONATHAN KELLERMAN
"Novelist explains how psychology training honed his writing", USC News, February 25, 2016
All writing, all art, is an act of faith. If one tries to contribute to human understanding, how can that be called decadent? It's like saying a declaration of love is an act of decadence. Any work of art, provide it springs from a sincere motivation to further understanding between people, is an act of faith and therefore is an act of love.
TRUMAN CAPOTE
Truman Capote: Conversations
I can remember discussing the effect of the typewriter on our work with Tom Eliot because he was moving to the typewriter about the same time I was. And I remember our agreeing that it made for a slight change of style in the prose -- that you tended to use more periodic sentences, a little shorter, and a rather choppier style -- and that one must be careful about that. Because, you see, you couldn't look ahead quite far enough, for you were always thinking about putting your fingers on the bloody keys. But that was a passing phase only. We both soon discovered that we were just as free to let the style throw itself into the air as we had been writing manually.
CONRAD AIKEN
interview, The Paris Review, winter-spring 1968
I'm glad that I didn't have the Internet when I started writing. I started writing when I was 20 and didn't show a word of it to anyone until I was 28. I had the sense to keep it to myself. Now the temptation with blogs and such, they're just getting it out there; maybe it would have been best to keep it to themselves.
DAVID SEDARIS
interview, Bohemian, June 2009
It was not a choice of writing or not writing. It was a choice of loving my life or not loving my life. To keep writing was always a first priority.... I worked probably 25 years by myself.... Just writing and working, not trying to publish much. Not giving readings. A longer time than people really are willing to commit before they want to go public.
MARY OLIVER
The Christian Science Monitor, December 9, 1992
Completing a book, it's a little like having a baby.... There's a feeling of relief and satisfaction when you get to the end. A feeling that you have brought your family, your characters, home. Then a sort of post-natal depression and then, very quickly, the horizon of a new book. The consolation that next time I will do it better.
JOHN LE CARRÉ
interview, The Telegraph, August 31, 2010
For those who do not write and who never have been stirred by the creative urge, talk of muses seems a figure of speech, a quaint concept, but for those of us who live by the Word, our muses are as real and necessary as the soft clay of language which they help to sculpt.
DAN SIMMONS
Hyperion
Here's a news flash--writers are selfish people. Truth is, creative types like me are driven by one impulse--to make up a world in which we get to control everything and everyone. We decide who enters and who exits, what the weather will be, who will hook up with whom, who will win and who will lose. It makes us feel powerful and, in all honesty, has relatively little to do with thinking about what will make anyone else happy.
VICTORIA LAURIE
acknowledgements, What's A Ghoul to Do?
I myself, as I'm writing, don't know who did it. The readers and I are on the same ground. When I start to write a story, I don't know the conclusion at all and I don't know what's going to happen next. If there is a murder case as the first thing, I don't know who the killer is. I write the book because I would like to find out. If I know who the killer is, there's no purpose to writing the story.
HURAKI MURAKAMI
Paris Review, summer 2004