WRITING QUOTES V

quotations about writing

So basically, it's totally selfish why I write. There are more harmful ways to spend your time, is how I justify it I guess. If my stories can make others laugh, or make others feel unexpected and complicated emotions, well then it's more than feeling good, then it's a bonus, then its rewarding, then you're building community.

TYLER BARTON

"Millennial Writers on Writing", Huffington Post, February 16, 2016


Cautious men have many adverbs, "usually," "nearly," "almost ": safe men begin, " it may be advanced " : you never know precisely what their premises are, nor what their conclusion is; they go tremulously like a timid rider; they turn hither and thither; they do not go straight across a subject, like a masterly mind.

WALTER BAGEHOT

Literary Studies

Tags: Walter Bagehot


A writer is a reader moved to emulation.

SAUL BELLOW

attributed, The Hidden Writer

Tags: Saul Bellow


Every word written is a net to catch the word that has escaped.

JEANETTE WINTERSON

The Stone Gods

Tags: Jeanette Winterson


The economy of a novelist is a little like that of a careful housewife who is unwilling to throw away anything that might perhaps serve its turn. Perhaps the comparison is closer to the Chinese cook who leaves hardly any part of a duck unserved.

GRAHAM GREENE

from journal kept while writing A Burnt-Out Case


A true piece of writing is a dangerous thing. It can change your life.

TOBIAS WOLFF

Old School


The art is never about what you write about. The art is about how you write about what you write about.

CHRIS ABANI

attributed, Stylistic Approaches to Nigerian Fiction

Tags: Chris Abani


There's no such thing as perfect writing, just like there's no such thing as perfect despair.

HURAKI MURAKAMI

Hear the Wind Sing

Tags: Haruki Murakami


You might get the impression that I have a mild contempt for storytelling, which is only somewhat true. For example, I really like Agatha Christie. She obeys the rules of the genre at first, but then occasionally she manages to do very personal things. In my case, I think I start from the opposite point. At first, I don't obey, I don't plot, but then from time to time, I say to myself, Come on, there's got to be a story. I control myself. But I will never give up a beautiful fragment merely because it doesn't fit in the story.

MICHEL HOUELLEBECQ

The Paris Review, fall 2010

Tags: Michel Houellebecq


I don't think it is worth explaining how a character's nose or chin looks. It is my feeling that readers will prefer to construct, little by little, their own character--the author will do well to entrust the reader with this part of the work.

JOSÉ SARAMAGO

The Paris Review, winter 1998


The first draft is the child's draft, where you let it all pour out and then let it romp all over the place, knowing that no one is going to see it and that you can shape it later.

ANNE LAMOTT

Bird by Bird

Tags: Anne Lamott


I myself, as I'm writing, don't know who did it. The readers and I are on the same ground. When I start to write a story, I don't know the conclusion at all and I don't know what's going to happen next. If there is a murder case as the first thing, I don't know who the killer is. I write the book because I would like to find out. If I know who the killer is, there's no purpose to writing the story.

HURAKI MURAKAMI

Paris Review, summer 2004

Tags: Haruki Murakami


I think a good writer is a mix of confidence (sure that what they're writing is going to appeal to their readers) and uncertainty (what if all these words are crap?). If you're too confident, you get an attitude that seeps through into your writing, affecting the characters and the story. If you're too uncertain, you'll never finish anything.

CHARLES DE LINT

interview with Kim Antieau, April 28, 2008

Tags: Charles de Lint


It is hard to make a good documentary about writing. Writing is internal, it slowly takes shape in a mind, sometimes after the not very cinematic process of staring at a wall until the words come.

JULIA COOPER

"Obit doc examines the art of the obituary at The New York Times", The Globe and Mail, March 30, 2017


Young writers if they are to mature require a period of between three and seven years in which to live down their promise. Promise is like the mediaeval hangman who after settling the noose, pushed his victim off the platform and jumped on his back, his weight acting a drop while his jockeying arms prevented the unfortunate from loosening the rope. When he judged him dead he dropped to the ground.

CYRIL CONNOLLY

Enemies of Promise


I try to get a feeling of what's going on in the story before I put it down on paper, but actually most of this breaking-in period is one long, fantastic daydream, in which I think about anything but the work at hand. I can't turn out slews of stuff each day. I wish I could. I seem to have some neurotic need to perfect each paragraph--each sentence, even--as I go along.

WILLIAM STYRON

The Paris Review, spring 1954


I do everything they tell you not to. I go back and fix things as I go, otherwise I can't move forward. I don't write every day, I write in binges. I don't write drafts, what I write, fixed as I go, is pretty much what gets published. Everybody writes differently, and there are a lot of people who want everybody to write in the same way, people who have a lot invested in telling people to write a whole crappy first draft and then revise it, and so on. That absolutely doesn't work for me. I tell people there are things they can try, and things that might help, but there aren't any rules, except to do what works for you, what gets the story on the page.

JO WALTON

interview, RT Book Reviews

Tags: Jo Walton


It was not a choice of writing or not writing. It was a choice of loving my life or not loving my life. To keep writing was always a first priority.... I worked probably 25 years by myself.... Just writing and working, not trying to publish much. Not giving readings. A longer time than people really are willing to commit before they want to go public.

MARY OLIVER

The Christian Science Monitor, December 9, 1992


Completing a book, it's a little like having a baby.... There's a feeling of relief and satisfaction when you get to the end. A feeling that you have brought your family, your characters, home. Then a sort of post-natal depression and then, very quickly, the horizon of a new book. The consolation that next time I will do it better.

JOHN LE CARRÉ

interview, The Telegraph, August 31, 2010


To write as if your life depended on it; to write across the chalkboard, putting up there in public the words you have dredged; sieved up in dreams, from behind screen memories, out of silence--words you have dreaded and needed in order to know you exist.

ADRIENNE RICH

What Is Found There: Notebooks on Poetry and Politics

Tags: Adrienne Rich