WRITING QUOTES III
quotations about writing
Notice: Undefined variable: id in /hermes/walnacweb03/walnacweb03ak/b2149/pow.notablequote/htdocs/w/includes/quoter_subj.php on line 27
Sex has to be good for both partners. That is also the key to writing both fiction and nonfiction. It has to be a good experience for both partners, the writer and the reader, and it is a source of distress to me to observe how frequently writers ignore the pleasure of their partners.
SOL STEIN
Notice: Undefined variable: id in /hermes/walnacweb03/walnacweb03ak/b2149/pow.notablequote/htdocs/w/includes/quoter_subj.php on line 37
Stein on Writing
Notice: Undefined variable: id in /hermes/walnacweb03/walnacweb03ak/b2149/pow.notablequote/htdocs/w/includes/quoter_subj.php on line 63
There was a kind of poetry I was seeking in my prose, word to be laid against word in just a certain way, a kind of word color, a march of words and sentences, the color to be squeezed out of simple words, simple sentence construction.
SHERWOOD ANDERSON
Memoirs
If I've already figured out how the book ends, why bother to finish writing it? My writing isn't terribly efficient, because I often have to backtrack a bit when I change my mind, but I like the sense of discovery that comes from not knowing what happens next.
PATRICIA BRIGGS
interview, Bitten by Books, March 30, 2010
Before I write down one word, I have to have the character in my mind through and through. I must penetrate into the last wrinkle of his soul.
HENRIK IBSEN
letter to Munich editor Georg Conrad
I don't give a damn what other people think. It's entirely their own business. I'm not writing for other people.
HAROLD PINTER
interview, December 1971
Writing is rewriting. It's all about building off of what you have and making it better.
DASHA FAYVINOVA
"9 Reasons Joining A Writing Group Is One Of The Best Ways A Writer Can Grow", Bustle, February 8, 2016
I don't write about things that I have the answers to or things that are very close to home. It just wouldn't be any adventure. It wouldn't have any vitality.
ANN BEATTIE
Conversations with Ann Beattie
Writing has freed me from the despair of living.
ANITA BROOKNER
The Paris Review, fall 1987
Here's a news flash--writers are selfish people. Truth is, creative types like me are driven by one impulse--to make up a world in which we get to control everything and everyone. We decide who enters and who exits, what the weather will be, who will hook up with whom, who will win and who will lose. It makes us feel powerful and, in all honesty, has relatively little to do with thinking about what will make anyone else happy.
VICTORIA LAURIE
acknowledgements, What's A Ghoul to Do?
There would be punishment and pain, and there would be happiness, too. That was writing.
MARKUS ZUSAK
The Book Thief
I seldom have a firm plot or any idea at all about the ending. But there is a clear, almost mathematically conceptual idea that determines length--the length or brevity of a literary work being comparable to the size of the frame needed by a picture.
HEINRICH BÖLL
The Paris Review, spring 1983
It's hard work, writing, you know. Honestly, a fight every day against your own limitations. You have to squeeze books out of your brain, you're constantly trying to solve challenges. I think most writers enjoy the feeling of having written something, rather than the process of writing it.
CARLOS RUIZ ZAFON
"Carlos Ruiz Zafon's love letter to literature", New Zealand Listener, March 14, 2013
Writing is a profession you can practice while upside down and experiencing total blackout in a cave. You just use the mental recorder instead of pen and paper ... or portable ... and hope you find a use for the experience.
C. J. CHERRYH
interview, SFF World, January 1, 2000
I was always a believer, even with word processing, that there's something useful about having to retrace your steps from the beginning. And you have to print it out, too--you only get so far if you work by staring at a screen, because the resolution of the paper page is much higher. Your eye actually takes in things on paper more efficiently. I can fiddle around with something on a screen for days and think I'm getting somewhere, and it won't be right. Then I'll print it out and take it to bed, and instantly it's obvious what's bad about it, and I'll cross out, cross out, cross out.
NICHOLSON BAKER
The Paris Review, fall 2011
No writing has any real value which is not the expression of genuine thought and feeling.
ELEANOR ROOSEVELT
My Day
The interesting thing is that I rarely look at the outline once I've done it. And when I read the outline once I've written the novel, I realize I've written a totally different book.
JONATHAN KELLERMAN
"Novelist explains how psychology training honed his writing", USC News, February 25, 2016
To this day, if you ask me how I became a writer, I cannot give you an answer. To this day, if you ask me how a book is written, I cannot answer. For long periods, if I didn't know that somehow in the past I had written a book, I would have given up.
V. S. NAIPAUL
New York Times, April 24, 1994
Rejections are painful, but inevitable. They're every writer's rite of passage.
OCTAVIA E. BUTLER
"Furor Scribendi", Bloodchild and Other Stories
You don't start out writing good stuff. You start out writing crap and thinking it's good stuff, and then gradually you get better at it. That's why I say one of the most valuable traits is persistence. It's just so easy to give up!
OCTAVIA E. BUTLER
Locus Magazine, June 2000
Writing keeps me at my desk, constantly trying to write a perfect sentence. It is a great privilege to make one's living from writing sentences. The sentence is the greatest invention of civilization. To sit all day long assembling these extraordinary strings of words is a marvelous thing. I couldn't ask for anything better. It's as near to godliness as I can get.... The great thrill is when a sentence that starts out being completely plain suddenly begins to sing, rising far above itself and above any expectation I might have had for it. That's what keeps me going on those dark December days.
JOHN BANVILLE
The Paris Review, spring 2009