quotations about writing
I'm sympathetic with new writers who focus so much on the beginning. That's what you show friends or beta readers to see if you are just wasting your time or if there's something there. But you won't really know until you finish the whole book.
JEFF ABBOTT
"Rules of Fiction with Jeff Abbott", Suspense Magazine, January 19, 2017
I think I have spoken before about the writer, the artist being a kind of dredging net going down into the rich silt of the mind, of the spirit, to bring up things that are normally out of reach or not accessible to consciousness. It's the duty of the writer -- and indeed of all artists -- to think long and deeply and to be able to drill down into those substrata so that these contents are released. Also, I think that as you drill down there is a release in all of the senses because great pressures build up in people and they don't know why. Quite often something very simple, a way of elucidating it, a way of telling the story, can release that and relieve it and make them feel, Yes, that's what is happening to me, or, This is how I feel. Then immediately one is taken off that horrible little rock of chaos where one is entirely alone and brought back into the community.
JEANETTE WINTERSON
The Paris Review, winter 1997
I made up my mind long ago to follow one cardinal rule in all my writing -- to be clear. I have given up all thought of writing poetically or symbolically or experimentally, or in any of the other modes that might (if I were good enough) get me a Pulitzer prize. I would write merely clearly and in this way establish a warm relationship between myself and my readers, and the professional critics -- Well, they can do whatever they wish.
ISAAC ASIMOV
introduction, Nemesis
Fictional characters are made of words, not flesh; they do not have free will, they do not exercise volition. They are easily born, and as easily killed off.
JOHN BANVILLE
attributed, Irish Writers and Their Creative Process
A story has no beginning or end: arbitrarily one chooses that moment from which to look back or from which to look ahead.
GRAHAM GREENE
The End of the Affair
You do have a leash, finally, as a writer. You're holding a dog. You let the dog run about. But you finally can pull him back. Finally, I'm in control. But the great excitement is to see what happens if you let the whole thing go. And the dog or the character really runs about, bites everyone in sight, jumps up trees, falls into lakes, gets wet, and you let that happen. That's the excitement of writing plays--to allow the thing to be free but still hold the final leash.
HAROLD PINTER
The Progressive, March 2001
Writing is a kind of centering, a kind of meditation. I find it to be profoundly rewarding. Actually, I'm an addict. If I go too long, and so far that hasn't been longer than a week, I start to feel unsettled, nervous. I begin to feel that I'm not engaged, a disconnection is threatening my world, that I'm being passed by and I'm both failing myself and the world by not writing about it.
WALTER BARGEN
"An interview with Walter Bargen, first poet laureate of Missouri"
When I first started I was obsessed--putting in 16 hours a day, seven days a week, and loving it. My in-laws told my husband that perhaps he should get some help for me. Once the book was published it was OK because writers can be a little crazy.
JEAN M. AUEL
interview, goodreads, April 2011
What writers do is they tell their own story constantly through other people's stories. They imagine other people, and those other people are carrying the burden of their struggles, their questions about themselves.
TOBIAS WOLFF
Fiction Writers Review, April 5, 2009
Trouble not thyself about the fate of thy writings: if what thou hast writ be worth preserving, no flood, however mighty, can sweep it away; if it be worthless, no ink, however prepared, can make it indelible.
IVAN PANIN
Thoughts
To write weekly, to write daily, to write shortly, to write for busy people catching trains in the morning or for tired people coming home in the evening, is a heartbreaking task for men who know good writing from bad. They do it, but instinctively draw out of harm's way anything precious that might be damaged by contact with the public, or anything sharp that might irritate its skin.
VIRGINIA WOOLF
The Common Reader
To refer even in passing to unpublished or struggling authors and their problems is to put oneself at some risk, so I will say here and now that any unsolicited manuscripts or typescripts sent to me will be destroyed unread. You must make your way yourself. Why you should be so set on the nearly always disappointing profession is a puzzling question.
KINGSLEY AMIS
The Amis Collection: Selected Non-fiction
There is, as yet, no Act of Parliament compelling a bona fide traveler to read. If you wish him to read, you must make reading pleasant. You must give him short views, and clear sentences.
WALTER BAGEHOT
Literary Studies
The responsibility of the writer is to be a sort of demonic social critic -- to present the world and people in it as he sees it and say, "Do you like it? If you don't like it, change it."
EDWARD ALBEE
interview with Digby Diehl, 1963
Much modern prose is praised for its terseness, its scrupulous avoidance of curlicue, etcetera. But I don't feel the deeper rhythm there. I don't think these writers are being terse out of choice. I think they are being terse because it's the only way they can write.
MARTIN AMIS
The Paris Review, spring 1998
Mostly, we authors must repeat ourselves--that's the truth. We have two or three great moving experiences in our lives--experiences so great and moving that it doesn't seem at the time that anyone else has been so caught up and pounded and dazzled and astonished and beaten and broken and rescued and illuminated and rewarded and humbled in just that way ever before.
F. SCOTT FITZGERALD
"One Hundred False Starts", Saturday Evening Post, March 4, 1933
It's not the word made flesh we want in writing, in poetry and fiction, but the flesh made word.
WILLIAM H. GASS
On Being Blue
It's a principle of mine to come into the story as late as possible, and to tell it as fast as you can.
JOHN LE CARRÉ
interview, The Paris Review, summer 1997
If there is an occupational hazard to writing, it's drinking.
CORMAC MCCARTHY
New York Times, April 19, 1992
If I write novels in a country in which most citizens are illiterate, who then is my community?
CHINUA ACHEBE
Hopes and Impediments: Selected Essays