quotations about writing
Most writers -- poets in especial -- prefer having it understood that they compose by a species of fine frenzy -- an ecstatic intuition -- and would positively shudder at letting the public take a peep behind the scenes, at the elaborate and vacillating crudities of thought -- at the true purposes seized only at the last moment -- at the innumerable glimpses of idea that arrived not at the maturity of full view -- at the fully matured fancies discarded in despair as unmanageable -- at the cautious selections and rejections -- at the painful erasures and interpolations -- in a word, at the wheels and pinions -- the tackle for scene-shifting -- the step-ladders and demon-traps -- the cock's feathers, the red paint and the black patches, which, in ninety-nine cases out of the hundred, constitute the properties of the literary histrio.
EDGAR ALLAN POE
"The Philosophy of Composition"
Crossing out is an art that is, perhaps, even more difficult than writing. It requires the sharpest eye to decide what is superfluous and must be removed. And it requires ruthlessness toward yourself -- the greatest ruthlessness and self-sacrifice. You must know how to sacrifice parts in the name of the whole.
YEVGENY ZAMYATIN
Theme and Plot
When I write I don't aim to shock people, and I'm surprised when I do. But I don't think that anything that occurs in life should be omitted from art, though the artist should present it in a fashion that is artistic and not ugly. I set out to tell the truth. And sometimes the truth is shocking.
TENNESSEE WILLIAMS
The Paris Review, fall 1981
I can't write five words but that I change seven.
DOROTHY PARKER
The Paris Review, summer 1956
I would be a liar, a hypocrite, or a fool--and I'm not any of those--to say that I don't write for the reader. I do. But for the reader who hears, who really will work at it, going behind what I seem to say. So I write for myself and that reader who will pay the dues.
MAYA ANGELOU
The Paris Review, fall 1990
No reason at all why one should go on writing just for the sake of it. I think it is very important to stop when you haven't got anything to say.
JULIAN BARNES
The Paris Review, winter 2000
I'm such a slow writer I have no need for anything as fast as a word processor. I don't need anything so snappy. I write so slowly that I could write in my own blood without hurting myself.
FRAN LEBOWITZ
The Paris Review, summer 1993
You will always have days when you feel like an amateur. When it feels like everybody else is better than you. You will have this nagging suspicion that someone will eventually find you out, call you on your bullshit, realize you're the literary equivalent of a vagrant painting on the side of a wall with a piece of calcified poop. You will have days when the blank page is like being lost in a blizzard. You will sometimes hate what you wrote today, yesterday, or ten years ago. Bad days are part of the package. You just have to shut them out, swaddle your head in tinfoil, and keep writing anyway.
CHUCK WENDIG
The Kick-Ass Writer
I've always considered writing the most hateful kind of work. I suspect it's a bit like f***ing -- which is fun only for amateurs. Old whores don't do much giggling.
HUNTER S. THOMPSON
The Great Shark Hunt: Strange Tales from a Strange Time
Go to any lengths to avoid preachiness! If you have to choose between the message and the story, always choose the story.
ELIZABETH ZELVIN
interview, The Fix
I've gotten a little superstitious about listening to music when I write. Once a story is going somewhere, I keep listening to the same music whenever I work on that story. It seems to help me keep in voice, and alternatively, if I need to make some kind of dramatic shift, I'll go and put on something different to shake myself awake.
KELLY LINK
"Words by Flashlight", Sybil's Garage, June 7, 2006
At the age of fourteen I discovered writing as an escape from a world of reality in which I felt acutely uncomfortable.
TENNESSEE WILLIAMS
foreword, Sweet Bird of Youth
Fiction -- at least for me -- requires long, relatively uninterrupted time stretches in which to bring it to fruition. I've never been a two-hour-in-the-morning writer, who could put in another six hours on Sunday afternoon. For me, a novel requires weeks of living in a largely mental and wholly internal landscape. Everything else has to be relegated to the odd hour here, the bit of time there. Sadly, however, uninterrupted time blocks are not what life doles out today to any of us with regularity.
SAMUEL R. DELANY
interview, SF Site, April 2001
Beginning a book is unpleasant. I'm entirely uncertain about the character and the predicament, and a character in his predicament is what I have to begin with. Worse than not knowing your subject is not knowing how to treat it, because that's finally everything. I type out beginnings and they're awful, more of an unconscious parody of my previous book than the breakaway from it that I want. I need something driving down the center of a book, a magnet to draw everything to it--that's what I look for during the first months of writing something new. I often have to write a hundred pages or more before there's a paragraph that's alive. Okay, I say to myself, that's your beginning, start there; that's the first paragraph of the book.
PHILIP ROTH
Paris Review, fall 1984
It's so easy to get into the same routine. A novel every two years; perhaps, improving technique. But I'm not interested in that. I'm interested in doing something fundamentally important--and therefore, it needs time. And what I've been doing, really, is avoiding this pressure to get into the habit of one novel a year. This is what is expected of novelists. And I have never been really too much concerned with doing what is expected of novelists, or writers, or artists. I want to do what I believe is important.
CHINUA ACHEBE
interview, Okike, 1990
The public takes from a writer, or a writing, what it needs and lets the remainder go. But what they take is usually what they need least and what they let go is what they need most.
CHARLES BUKOWSKI
Notes of a Dirty Old Man
Theatre and publishing worship either precocious young writers or mute dead ones.
ROSEMARY JENKINSON
"Writing is not about youth but about spark", Irish Times, March 27, 2017
All good writing leaves something unexpressed.
CHRISTIAN NESTELL BOVEE
Intuitions and Summaries of Thought
A plain narrative of any remarkable fact, emphatically related, has a more striking effect without the author's comment.
WILLIAM SHENSTONE
Essays on Men and Manners
A writer is somebody for whom writing is more difficult than it is for other people.
THOMAS MANN
Essays of Three Decades