WRITING QUOTES XXVIII

quotations about writing

Fiction writers, at least in their braver moments, do desire the truth: to know it, speak it, serve it. But they go about it in a peculiar and devious way, which consists in inventing persons, places, and events which never did and never will exist or occur, and telling about these fictions in detail and at length and with a great deal of emotion, and then when they are done writing down this pack of lies, they say, There! That's the truth!

URSULA K. LE GUIN

introduction, The Left Hand of Darkness

Tags: Ursula K. Le Guin


Mostly, we authors must repeat ourselves--that's the truth. We have two or three great moving experiences in our lives--experiences so great and moving that it doesn't seem at the time that anyone else has been so caught up and pounded and dazzled and astonished and beaten and broken and rescued and illuminated and rewarded and humbled in just that way ever before.

F. SCOTT FITZGERALD

"One Hundred False Starts", Saturday Evening Post, March 4, 1933


The less attention I pay to what people want and the more attention I pay to just writing the book I want to write, the better I do.

LAWRENCE BLOCK

Newsweek, July 13, 2009

Tags: Lawrence Block


When I write, I don't know what is going to emerge. I begin in a condition of complete unknowing, an utter nakedness of concept or goal. A word appears, another word appears, an image. It is a moving into mystery.

JANE HIRSHFIELD

The Atlantic Online, September 18, 1997

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I can't understand why a person will take a year or two to write a novel when he can easily buy one for a few dollars.

FRED ALLEN

attributed, Books: Their History, Art, Power, Glory, Infamy and Suffering According to Their Creators, Friends and Enemies

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Storytellers are a threat. They threaten all champions of control, they frighten usurpers of the right-to-freedom of the human spirit -- in state, in church or mosque, in party congress, in the university or wherever.

CHINUA ACHEBE

Anthills of the Savannah


Beginning a book is unpleasant. I'm entirely uncertain about the character and the predicament, and a character in his predicament is what I have to begin with. Worse than not knowing your subject is not knowing how to treat it, because that's finally everything. I type out beginnings and they're awful, more of an unconscious parody of my previous book than the breakaway from it that I want. I need something driving down the center of a book, a magnet to draw everything to it--that's what I look for during the first months of writing something new. I often have to write a hundred pages or more before there's a paragraph that's alive. Okay, I say to myself, that's your beginning, start there; that's the first paragraph of the book.

PHILIP ROTH

Paris Review, fall 1984


When I sit down to write, I have a lot to write, but beforehand, I don't. I'm not full of ideas. Writing is the way I think.

ADAM PHILLIPS

Bomb Magazine, fall 2010


I'm such a slow writer I have no need for anything as fast as a word processor. I don't need anything so snappy. I write so slowly that I could write in my own blood without hurting myself.

FRAN LEBOWITZ

The Paris Review, summer 1993


Most writers -- poets in especial -- prefer having it understood that they compose by a species of fine frenzy -- an ecstatic intuition -- and would positively shudder at letting the public take a peep behind the scenes, at the elaborate and vacillating crudities of thought -- at the true purposes seized only at the last moment -- at the innumerable glimpses of idea that arrived not at the maturity of full view -- at the fully matured fancies discarded in despair as unmanageable -- at the cautious selections and rejections -- at the painful erasures and interpolations -- in a word, at the wheels and pinions -- the tackle for scene-shifting -- the step-ladders and demon-traps -- the cock's feathers, the red paint and the black patches, which, in ninety-nine cases out of the hundred, constitute the properties of the literary histrio.

EDGAR ALLAN POE

"The Philosophy of Composition"


In the past, the virtue of women's writing often lay in its divine spontaneity ... But it was also, and much more often, chattering and garrulous ... In future, granted time and books and a little space in the house for herself, literature will become for women, as for men, an art to be studied. Women's gift will be trained and strengthened. The novel will cease to be the dumping-ground for the personal emotions. It will become, more than at present, a work of art like any other, and its resources and its limitations will be explored.

VIRGINIA WOOLF

"Women and Fiction", Granite and Rainbow


What I cannot thus eliminate, what I must, head down, eyes shut, with the courage of a battalion and the blindness of a bull, charge and disperse are, indubitably, the figures behind the ferns, commercial travellers. There I've hidden them all this time in the hope that somehow they'd disappear, or better still emerge, as indeed they must, if the story's to go on gathering richness and rotundity, destiny and tragedy, as stories should, rolling along with it two, if not three, commercial travellers and a whole grove of aspidistra.

VIRGINIA WOOLF

"An Unfinished Novel", The Complete Shorter Fiction of Virginia Woolf

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The publishers want series, obviously. Originally, they wanted me to do the Garrett series along with another similar series, so it would be one book every six months. Eventually I'd just do the outlines and they'd get some poor unknown author to flesh out the stories. That's why you see so many books by a famous author and an unknown. You can make half the money basically by selling your name. The thing is, once your name is on enough bad books, maybe it isn't worth all that much any more.

GLEN COOK

interview, Quantum Muse


True ease in writing comes from art, not chance,
As those move easiest who have learn'd to dance.

ALEXANDER POPE

An Essay on Criticism

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What I like to do is write the story, see where it takes me -- and then check out the details I don't know. When I first started writing, there were a lot of things about the world that I understood but didn't have the vocabulary for -- and even more things that I just had no idea about. For instance, do you know all the parts of a door frame? Or what flowers bloom in the spring in alpine climates? There's a surprising amount of homework involved in writing a book.

PATRICIA BRIGGS

interview, Bitten by Books, March 30, 2010


Getting even is one great reason for writing.... But getting even isn't necessarily vicious. There are two ways of getting even: one is destructive and the other is restorative. It depends on how the scales are weighted.

WILLIAM H. GASS

The Paris Review, summer 1977


One never knows enough about characters in real life to put them into novels. One gets started and then, suddenly, one can not remember what toothpaste they use; what are their views on interior decoration, and one is stuck utterly. No, major characters emerge; minor ones may be photographed.

GRAHAM GREENE

The Paris Review, autumn 1953


I would be a liar, a hypocrite, or a fool--and I'm not any of those--to say that I don't write for the reader. I do. But for the reader who hears, who really will work at it, going behind what I seem to say. So I write for myself and that reader who will pay the dues.

MAYA ANGELOU

The Paris Review, fall 1990


A day in which I don't write leaves a taste of ashes.

SIMONE DE BEAUVOIR

attributed, Writers on Writing

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Be a mere assistant to your unconscious. Do only half the work. The rest will do itself.

JEAN COCTEAU

Diary of an Unknown

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