quotations about writing
As a writer -- it must be the same for actors -- you're used to dealing with the idea of death and all the big questions. Unless you're writing purely for five-year-olds, about bunnies, you're going to have to think about death. Your characters will die and people will live on afterwards who cared about them. You need to be able to empathise with them. Of course, we all go through it; we all have people close to us die. But as a writer you really have to think it through properly, or it'll all ring false. It's almost one of the perks of the trade that you're forced to think about that stuff fairly deeply. So maybe when it comes along in real life, you're slightly better prepared to deal with it.
IAIN M. BANKS
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"Iain Banks: The Final Interview", The Guardian, June 14, 2013
In the very act of writing I felt pleased with what I did. There was the pleasure of having words come to me, and the pleasure of ordering them, re-ordering them, weighing one against another. Pleasure also in the imagination of the story, the feeling that it could mean something. Mostly I was glad to find out that I could write at all. In writing you work toward a result you won't see for years, and can't be sure you'll ever see. It takes stamina and self-mastery and faith. It demands those things of you, then gives them back with a little extra, a surprise to keep you coming. It toughens you and clears your head. I could feel it happening. I was saving my life with every word I wrote, and I knew it.
TOBIAS WOLFF
In Pharaoh's Army
Fictional characters are made of words, not flesh; they do not have free will, they do not exercise volition. They are easily born, and as easily killed off.
JOHN BANVILLE
attributed, Irish Writers and Their Creative Process
It was then that I saw the business of writing for what it truly was and is to me. It is your penance for not being lucky. It is an attempt to reach others and to make them love you. It is your instinctive protest, when you find you have no voice at the world's tribunals, and that no one will speak for you. I would give my entire output of words, past, present and to come, in exchange for easier access to the world, for permission to state "I hurt" or "I hate" or "I want". Or indeed, "Look at me". And I do not go back on this. For once a thing is known it can never be unknown. It can only be forgotten. And writing is the enemy of forgetfulness, or thoughtlessness. For the writer there is no oblivion. Only endless memory.
ANITA BROOKNER
Look at Me
I hate writing. I so intensely hate writing -- I cannot tell you how much. The moment I am at the end of one project I have the idea that I didn't really succeed in telling what I wanted to tell, that I need a new project -- it's an absolute nightmare. But my whole economy of writing is in fact based on an obsessional ritual to avoid the actual act of writing.
SLAVOJ ZIZEK
Conversations with Zizek
The good writers touch life often. The mediocre ones run a quick hand over her. The bad ones rape her and leave her for the flies.
RAY BRADBURY
Fahrenheit 451
Be a mere assistant to your unconscious. Do only half the work. The rest will do itself.
JEAN COCTEAU
Diary of an Unknown
I don't think I'm cut out for a job where you have to look professionally tidy. I prefer working in my pajamas and taking showers after lunch.
KELLY LINK
"Words by Flashlight", Sybil's Garage, June 7, 2006
Perhaps the pleasure one feels in writing is not the infallible test of the literary value of a page; perhaps it is only a secondary state which is often superadded, but the want of which can have no prejudicial effect on it. Perhaps some of the greatest masterpieces were written while yawning.
MARCEL PROUST
Within a Budding Grove
The reason why so few good books are written is, that so few people who can write know anything. In general an author has always lived in a room, has read books, has cultivated science, is acquainted with the style and sentiments of the best authors, but he is out of the way of employing his own eyes and ears. He has nothing to hear and nothing to see. His life is a vacuum.
WALTER BAGEHOT
Shakespeare: The Man
I write a sentence a thousand times, changing it all the time to look at it in different ways.
FRAN LEBOWITZ
The Paris Review, summer 1993
To the question of writing at all we have sometimes been counselled to forget it, or rather the writing of books. What is required, we are told, is plays and films. Books are out of date! The book is dead, long live television! One question which is not even raised let alone considered is: Who will write the drama and film scripts when the generation that can read and write has been used up?
CHINUA ACHEBE
Hopes and Impediments: Selected Essays
Keep your head down, avoid all the distractions of being a writer today--all the shifts in the business, all the drama, all the debating about where publishing is going--and write the best story that you can. It sounds a bit glib, but I think this is advice a lot of people are having trouble following right now. It is so hard to focus. But that is the single key to success.
JEFF ABBOTT
The Big Thrill, June 30, 2013
How one writes is a bit of a mystery to oneself. You just do it. My experience is that I sit down and write and I make it sound right to me, or sound good or interesting. And that's it.
ADAM PHILLIPS
"Poetry as Therapy", The Guardian, March 29, 2012
I would be a liar, a hypocrite, or a fool--and I'm not any of those--to say that I don't write for the reader. I do. But for the reader who hears, who really will work at it, going behind what I seem to say. So I write for myself and that reader who will pay the dues.
MAYA ANGELOU
The Paris Review, fall 1990
I didn't want to be ignored. I didn't want my books to be ignored. But I didn't really care to cut such a figure either because ... well, it interferes with the business of writing.
SAUL BELLOW
Q & A at Howard Community College, February 1986
Genre categories are irrelevant. I dislike them, but I do not have the casting vote. Writing is writing and stories are stories. Perhaps the only true genres are fiction and non-fiction. And even there, who can be sure?
TANITH LEE
Tabula Rasa, October 1994
I want to be the apostle of self destruction. I want my book to affect man's reason, his emotions, his nerves, his whole animal nature. I should like my book to make people turn pale with horror as they read it, to affect them like a drug, like a terrifying dream, to drive them mad, to make them curse and hate me but still to read me.
LEONID ANDREYEV
diary, August 1, 1891
Any writer of any worth at all hopes to play only a pocket-torch of light -- and rarely, through genius, a sudden flambeau -- into the bloody yet beautiful labyrinth of human experience, of being.
NADINE GORDIMER
Nobel Lecture, December 7, 1991
Writing a killer first line to a novel is an art form in which there are a few masters and a great many apprentices.
CHUCK WENDIG
"25 Things to Know about Writing the First Chapter of Your Novel", Terrible Minds