WRITING QUOTES XXV

quotations about writing

Don't write too much. Concentrate your sweat on one story, rather than dissipate it over a dozen.

JACK LONDON

"Getting Into Print", Editor magazine, 1903


I write fiction and I'm told it’s autobiography, I write autobiography and I'm told it's fiction, so since I'm so dim and they're so smart, let them decide what it is or it isn't.

PHILIP ROTH

Deception: A Novel


I cannot and do not live in the world of discretion, not as a writer, anyway. I would prefer to, I assure you -- it would make life easier. But discretion is, unfortunately, not for novelists.

PHILIP ROTH

Deception: A Novel


I can't understand why a person will take a year or two to write a novel when he can easily buy one for a few dollars.

FRED ALLEN

attributed, Books: Their History, Art, Power, Glory, Infamy and Suffering According to Their Creators, Friends and Enemies

Tags: Fred Allen


I don't particularly care about having [my characters] talk realistically, that doesn't mean very much to me. Actually, a lot of people speak more articulately than some critics think, but before the 20th century it really didn't occur to many writers that their language had to be the language of everyday speech. When Wordsworth first considered that in poetry, it was considered very much of a shocker. And although I'm delighted to have things in ordinary speech, it's not what I'm trying to perform myself at all: I want my characters to get their ideas across, and I want them to be articulate.

LOUIS AUCHINCLOSS

interview, Bomb Magazine, fall 1997

Tags: Louis Auchincloss


This is our goal as writers, I think; to help others have this sense of--please forgive me--wonder, of seeing things anew, things that can catch us off guard, that break in on our small, bordered worlds.

ANNE LAMOTT

Bird by Bird

Tags: Anne Lamott


There is no way of writing well and also of writing easily.

ANTHONY TROLLOPE

Barchester Towers

Tags: Anthony Trollope


Storytellers are a threat. They threaten all champions of control, they frighten usurpers of the right-to-freedom of the human spirit -- in state, in church or mosque, in party congress, in the university or wherever.

CHINUA ACHEBE

Anthills of the Savannah


True ease in writing comes from art, not chance,
As those move easiest who have learn'd to dance.

ALEXANDER POPE

An Essay on Criticism

Tags: Alexander Pope


However much the writer might long to be, in his work, simple, honest, and straightforward, these virtues are no longer available to him. He discovers that in being simple, honest, and straightforward, nothing much happens: he speaks the speakable, whereas what we are looking for is the as-yet unspeakable, the as-yet unspoken.

DONALD BARTHELME

"Not-Knowing"


I would quit while you're ahead. Really, it's an awful field. Just torture. Awful. You write and write, and you have to throw almost all of it away because it's not any good. I would say just stop now. You don't want to do this to yourself. That's my advice to you.

PHILIP ROTH

advice to a young writer, "Writer meets Roth", New York writer Julian Tepper's blog


Everything you look at can be turned into a story ... you can make a tale of everything you touch.

HANS CHRISTIAN ANDERSEN

"The Elder Tree Mother"

Tags: Hans Christian Andersen


Trouble not thyself about the fate of thy writings: if what thou hast writ be worth preserving, no flood, however mighty, can sweep it away; if it be worthless, no ink, however prepared, can make it indelible.

IVAN PANIN

Thoughts

Tags: Ivan Panin


A writer can be compared to a well. There are as many kinds of wells as there are writers. The important thing is to have good water in the well, and it is better to take a regular amount out than to pump the well dry and wait for it to refill.

ERNEST HEMINGWAY

The Paris Review, spring 1958


I don't believe in the notion that some characters have lives of their own and the author follows after them. The author has to be careful not to force the character to do something that would go against the logic of that character's personality, but the character does not have independence. The character is trapped in the author's hand, in my hand, but he is trapped in a way he does not know he is trapped. The characters are on strings, but the strings are loose; the characters enjoy the illusion of freedom, of independence, but they cannot go where I do not want them to go. When that happens, the author must pull on the string and say to them, I am in charge here.

JOSÉ SARAMAGO

The Paris Review, winter 1998

Tags: José Saramago


It's a principle of mine to come into the story as late as possible, and to tell it as fast as you can.

JOHN LE CARRÉ

interview, The Paris Review, summer 1997

Tags: John le Carré


Well, there are certain stock words that I have found myself using a great deal. When I become aware of them, it is an alarm signal meaning I am falling back on something that has served in the past--it is a sign of not thinking at the present moment, not that there is anything intrinsically bad about certain words or phrases.

JOHN ASHBERY

interview, The Paris Review, winter 1983

Tags: John Ashbery


I write a sentence a thousand times, changing it all the time to look at it in different ways.

FRAN LEBOWITZ

The Paris Review, summer 1993

Tags: Fran Lebowitz


You can only learn to be a better writer by actually writing. I don't know much about creative writing programs. But they're not telling the truth if they don't teach, one, that writing is hard work and, two, that you have to give up a great deal of life, your personal life, to be a writer.

DORIS LESSING

The New York Times, April 22, 1984


How one writes is a bit of a mystery to oneself. You just do it. My experience is that I sit down and write and I make it sound right to me, or sound good or interesting. And that's it.

ADAM PHILLIPS

"Poetry as Therapy", The Guardian, March 29, 2012

Tags: Adam Phillips