WRITING QUOTES XXVI

quotations about writing

There is absolutely everything in great fiction but a clear answer.

EUDORA WELTY

On Writing

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The greater the length, the more beautiful will the piece be by reason of its size, provided that the whole be perspicuous.

ARISTOTLE

Poetics

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Writers, especially when they act in a body and with one direction, have great influence on the public mind.

EDMUND BURKE

Reflections on the Revolution in France

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I've gotten a little superstitious about listening to music when I write. Once a story is going somewhere, I keep listening to the same music whenever I work on that story. It seems to help me keep in voice, and alternatively, if I need to make some kind of dramatic shift, I'll go and put on something different to shake myself awake.

KELLY LINK

"Words by Flashlight", Sybil's Garage, June 7, 2006

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To write weekly, to write daily, to write shortly, to write for busy people catching trains in the morning or for tired people coming home in the evening, is a heartbreaking task for men who know good writing from bad. They do it, but instinctively draw out of harm's way anything precious that might be damaged by contact with the public, or anything sharp that might irritate its skin.

VIRGINIA WOOLF

The Common Reader


There is no ideal length, but you develop a little interior gauge that tells you whether or not you're supporting the house or detracting from it. When a piece gets too long, the tension goes out of it. That word--tension--has an animal insistence for me. A piece of writing rises and falls with tension. The writer holds one end of the rope and the reader holds the other end--is the rope slack, or is it tight? Does it matter to the reader what the next sentence is going to be?

JOHN JEREMIAH SULLIVAN

"Everything is more complicated than you think", The Economist, November 14, 2011

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To leave the reader free to decide what your work means, that's the real art; it makes the work inexhaustible.

URSULA K. LE GUIN

The Guardian, December 17, 2005

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In the writing process, the more the story cooks, the better. The brain works for you even when you are at rest. I find dreams particularly useful. I myself think a great deal before I go to sleep and the details sometimes unfold in the dream.

DORIS LESSING

The New York Times, April 22, 1984


When I write I don't aim to shock people, and I'm surprised when I do. But I don't think that anything that occurs in life should be omitted from art, though the artist should present it in a fashion that is artistic and not ugly. I set out to tell the truth. And sometimes the truth is shocking.

TENNESSEE WILLIAMS

The Paris Review, fall 1981


I'm a pretty autobiographical writer. I like a high ratio of true events to made-up events or rearranged events. I've always felt that if you think you can find a way to tell the truth and keep the fictional flux going, it's at least a good idea to try, because very often the truth is more interesting than the posed picture, the tableau. The messiness of truth is a useful corrective.

NICHOLSON BAKER

The Paris Review, fall 2011

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It's a principle of mine to come into the story as late as possible, and to tell it as fast as you can.

JOHN LE CARRÉ

interview, The Paris Review, summer 1997

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Without a pen in my hand I can't think.

JOHN LE CARRÉ

interview, The Paris Review, summer 1997

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I've got splinters in my nose from the best publishing doors in town.

RITA MAE BROWN

interview, Time, March 18, 2008

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Brevity is the sister of talent.

ANTON CHEKHOV

letter to A. P. Chekhov, April 11, 1889

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If I cannot be myself in what I write, then the whole is nothing but lies and humbug.

HENRIK IBSEN

letter to Björnstjerne Björnson, September 12, 1865


However much the writer might long to be, in his work, simple, honest, and straightforward, these virtues are no longer available to him. He discovers that in being simple, honest, and straightforward, nothing much happens: he speaks the speakable, whereas what we are looking for is the as-yet unspeakable, the as-yet unspoken.

DONALD BARTHELME

"Not-Knowing"


[Rejection] made me quit writing once. For six months. I started up again when my then seven-year-old son asked me to start writing again because I was too grumpy when I wasn't writing.

KIRBY LARSON

interview, Author Turf, March 6, 2014


I don't particularly care about having [my characters] talk realistically, that doesn't mean very much to me. Actually, a lot of people speak more articulately than some critics think, but before the 20th century it really didn't occur to many writers that their language had to be the language of everyday speech. When Wordsworth first considered that in poetry, it was considered very much of a shocker. And although I'm delighted to have things in ordinary speech, it's not what I'm trying to perform myself at all: I want my characters to get their ideas across, and I want them to be articulate.

LOUIS AUCHINCLOSS

interview, Bomb Magazine, fall 1997

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Everybody wants to feel that you're writing to a certain demographic because that's good business, but I've never done that ... I tried to write stories that would interest me. I'd say, what would I like to read?... I don't think you can do your best work if you're writing for somebody else, because you never know what that somebody else really thinks or wants.

STAN LEE

Brandweek, May 2000


All good writing leaves something unexpressed.

CHRISTIAN NESTELL BOVEE

Intuitions and Summaries of Thought

Tags: Christian Nestell Bovee